CZECH
I have conducted research on cultures of music, exchange, and value using feminist ethnography and critical cultural theory on Czech underground music cultures.
This scholarship engages with a variety of disciplines including post-reflective anthropology, exchange theory, science and technology studies, network theory, the sociology of taste, performance studies, cultural studies, and queer theory, and feminist theory. I generally focused on the following aspects of popular music: circulation, political economy, fine art/pop crossovers, bad taste, pop music avant gardes, popular music criticism, the cultures of recording, reproduction, distribution and playback technologies, and audience reception.